can we have this converstaion

i’ve been trying to have a conversation with my peers in the commercial advertising space

about what the future is going to hold and where we should be focusing our energy and our time

this has proved an almost impossible conversation to have

i don’t know if it’s fear, or maybe people are busy enough, but they’re very reluctant, if not completely dismissive, about having this conversation

i feel that this is the only conversation that we need to be having

i feel like as the democratisation of words has happened over the last couple of years with large language models, the democratisation of imagery is coming, and video is next

we’ve watched people in the space, particularly journalism, have to pivot dramatically

and we have a lot of lessons that we can learn from what they did and how they responded, because some of them figured it out

i am not sure that our industry is the same

and i can’t even work out, for example, are the people that actually won in this transition journalists at all?

meaning that i feel like we’re standing in a similar moment

i’m standing on set and i’m looking out on these big productions

and there’s an incredible, incredible level of expertise

like a hundred people on set shooting a massive commercial, doing incredible work

i had this conversation with a guy that used to live in detroit

and experienced what happened there when it went from the richest city on earth to the poorest city on earth in short order

and i can’t help but think that i’m like that person in the ford factory

that’s looking over at one of my colleagues being like, oh my gosh, how incredible is that level of skill

how incredible is that level of craftsmanship that that person is doing

and how could it possibly go away?

i don’t know if this is our moment

but i’m looking out into the landscape

and the hardest thing to have a conversation about right now is what it will look like

because some of the solutions that i’m seeing out there

i don’t think include the creatives that are currently doing what they’re doing

if it’s going to be a prompt engineer, a director, and let’s say a producer to produce some content

i don’t believe, for me, that that’s the reason why i do what i do

i think it has something to do with problem solving

it has something to do with creativity

and it has something to do with novelty

maybe one of these things is present in that next system

so i always ask a very stupid question

it might not be a popular thing to say

but what are the tastemakers going to do in this world?

because even directing, if that’s the solution

and photographers and all these people flood into the space of directing, which i’m seeing a lot of people do

that’s not the reason why you do what you do

most definitely, you’re interacting with people

you’re interacting with a team

in order to problem solve a specific situation

in order to get a result

this is hard

this is difficult work

so are we dinosaurs?

are we the person in the ford factory?

and one of the things that i have responded with recently

is that i have transitioned to being an artist first, before being a commissioned artist, if you will, in the commercial space

but i don’t think that this is a solution either, long term

because this space will get saturated

i don’t think this is a good solution either

and i don’t genuinely know how to have this conversation

but what is happening to us is happening extremely fast

and we’re not talking about it

we’re not talking about it

this should be the only thing we are talking about

every single day

every moment

until we come up with a solution

so can we have that conversation?

i’m asking you, can we have that conversation?

what are the tastemakers going to do?

what are the image makers going to do in this world?

and what should we do?

because it’s changing really fast

and i’m not sure

not sure if it’s what we want

or what we would like to do

anyway

let’s see if we can have this conversation

Eli Samuel

Eli Samuel’s practice is grounded in a sustained curiosity for visual communication, patterns, and color. He moves between photography, design layout, printing and bookbinding, and the moving image. His work often begins with feeling, then a frame, chasing an emotional charge first to drive the viewer’s attention, then building the image around it, using tension to turn something raw into something intentional.

Through handmade books, he slows the viewer down, using sequence to control how meaning unfolds and to make the work physical and permanent. These books rely on raw, charged pairings, placing people living with something beside language used as both messaging and form. Handwritten diary notes and typography operate as image, building rhythm, pressure, and intimacy across the pages.

In commissioned work, he brings the same emotional precision and visual discipline to campaigns and editorial projects, shaping bold, cinematic images that balance authenticity with intention. He works closely with clients and creative teams to build clear visual narratives, creating photography and moving image that feels direct, elevated, and human.

His work extends across multiple ventures, including editorial and commercial photography, fine art bookmaking and printed editions, campaign and brand direction, and moving image projects.

eli samuel

hello@elisamuelphoto.com

+1 512 698 1257

@elisamuelphoto

@ridgy_digi

https://www.elisamuelphoto.com
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this is ono magazine vol.1