In the mood for
INT. WINDOW – NIGHT
She stands by window, hand on chest.
Light soft, her face still, eyes full of storm.
Fear and wanting pull quiet inside her heart.
INT. TABLE – NIGHT
The phone beside her hand.
She dials, stops, then dials again.
He answers. No words, only breath.
EXT. STREET – NIGHT
Smoke drifts through warm air.
It moves like thought, slow and trembling.
EXT. STREET – NIGHT
Cigarette between fingers.
Smoke rises slow, heat hidden in breath.
INT. ROOM – NIGHT
Lamps glowing soft.
She sits on bed, hand to face, breath still.
Desire and fear move quiet inside her.
EXT. WINDOW – NIGHT
Through glass, she stands with him inside.
Her face turned upward, eyes sure, softer now.
Light spills over both, like secret learned twice.
7. INT. STAIRCASE – NIGHT
She walks ahead, slow.
He follows, eyes fixed on her back.
Red lamp above, shadows move close, then drift apart.
“This shoot is an homage to In the Mood for Love (2000), directed by Wong Kar-wai, one of Hong Kong’s most influential filmmakers. Known for his lush color, quiet rhythm, and emotional restraint, Wong Kar-wai tells the story of two neighbors in 1960s Hong Kong who discover their spouses’ infidelity and slowly drift into an unspoken affair of their own.
The film is remembered for its stillness, sensuality, and poetry in silence. This series draws from that same language, capturing the ache of restraint, the intimacy of hesitation, and the weight of what is left unsaid.”